Anwar is the story of a young man, an artist, who leaves his home and everything he knows in order to escape a world he no longer recognizes. All he ever wanted was a love story, Instead, his mentor abandons him and his best friend and his one true love betray him. Devastated, emotionally exhausted, he takes refuge in an old building, only to wake up the next morning to find his world turned upside down. Mistaken for a terrorist, Anwar finds himself in the midst of an unusual set of circumstances that resonate deeply with the modern Indian Condition and indeed with the Human Condition in this present-day global village. Surrounded on all sides by a host of characters who try and engineer the situation to their profit, Anwar becomes the central character upon which the others base their hopes and their deepest desires. A rabble-rousing Minister pitching for the popular vote; two journalists; one a nationally renowned TV reporter and the other a small-town scribe, looking to resurrect their careers and, as a consequence, their lives; a priest whose only concern is the maintenance of the status quo; and a senior police officer who only wants to leave, but must first resolve the situation? in any way he can. Through them, and through the other stories weaving in and out of the film, we discover a huge love story, plastered against the canvas that is India. And that, above all, is what Anwar is about. About the simple human need to connect, to love and to be loved, and to believe?
But now remains Faith, Hope, Love, these three?
And the greatest of these is love.